Grapefruit Moon
In the early 1990s, when I was young and indestructible, on Thursday nights — and occasionally Wednesdays, and Tuesdays, sometimes on Fridays if we had a big enough group to take over the tables in the back but never, ever on Saturdays, when the weekend assholes were given rights to the place — it was my habit to visit, with a friend or ten, a bar called Milano’s, on East Houston Street in New York City.
I haven’t set foot in the place since I moved to Seattle in 1998, but a quick Google informs me that Milano’s is still in existence, and a brief glimpse at Yelp turns up two recent reviews with the lines, “Cheap Beer, Good Juke box, you don’t have to put the toilet seat down when you’re done,” and “I love seeing the old, old man in the corner getting his rocks glass refilled with Jack over and over in a period of 30 minutes, and still not stumbling out the door,” which in the absence of additional information makes me believe the place hasn’t changed much since my last round at the narrow, then-smoky bar.
As I’ve written before, both here and over at the NY Times’ Proof blog, Milano’s played a major role in my formative drinking years. It was never the kind of place you wanted to start out the evening — unless you were willing to let that evening take a very weird turn — but I finished up countless nights there, many of them bleeding into morning, with the dim light coming up over the East River as we staggered out trailing cigarette smoke and beer fumes and cursing whoever first suggested hitting the bar on a weeknight.
It also wasn’t (and presumably still isn’t) a place where you ordered a cocktail — at least, nothing more ambitious than a Jack and Coke. This was fine by me at the time — aside from the occasional glass of bourbon or scotch, I was primarily a beer drinker back then, and when ordering my first pint at the bar I basically had two choices for where to take the evening: Bass or Guinness. Usually, Bass won out, if for no other reason than that it’s possible to drink a lot it without feeling like you just swallowed an iron stove, but on some nights only the bracing rigor of stout would do, sometimes — but not often — with a backup of Jim Beam in case it was someone’s birthday or they’d just quit their job (whether voluntarily or not) or there was some other reason for celebration and/or just extra drinking. It wasn’t fancy, but it was beer and whiskey; throw in the Holy Ghost and you’ve got yourself a trinity, and a full-blown religion can’t be far behind.
Today isn’t my birthday, and it’s been more than two years since I quit my job, but we do have something to celebrate, kind of: it’s Mixology Monday, this time hosted by Andrew Bohrer over at Caskstrength. Andrew came up with possibly the most challenging MxMo theme we’ve had in the four years of running the event: instead of picking a type of spirit, or a particular flavor, or some kind of conceptual edge for the event, Andrew picked a person – and not just any person; no, Andrew is basing this month’s event on the patron bard of booze and smokes (who, ironically or actually not so much when you really think about it, swore off the stuff almost 20 years ago): Tom Waits.
You can read Andrew’s reasoning behind the concept over at his site, but I was first turned onto Tom Waits’ music about a month after my 21st birthday, so I’ve been an ardent fan of his raspy weirdness for pretty much all of my legal drinking life. As far as I can recall from my time there in the ‘90s, Milano’s never had any of Waits’ music on the jukebox — it was much more a Sinatra and Pogues kind of place, and given the fly-in-amber quality of the best dive bars, those same songs are presumably blasting over the bar’s speakers right now. But at the bar, while sitting next to the 70-year-old guy who was there every fucking night from 5pm until the 4am close, grinning at every pretty woman who walked by and occasionally knocking over his barstool while getting into a shuffling pretense of a fistfight with the 80-year-old guy sitting on the other side of him, you were pretty much sitting inside a Waits song from his boozy era in the ‘70s.
Tom Waits doesn’t drink anymore, and I’m not sure how he’d feel about this little online cocktail event that’s taking place in his honor, but part of the event is to come up with a drink suitable for the theme, so here’s mine: Grapefruit Moon. Named for a maudlin bawler on Waits’ first album (titled, appropriately, Closing Time
I started off working with the two basic things I drank way back then: beer and bourbon. Bass was tempting, but ultimately stout won out as an accompaniment to the whiskey. Then there was the name: Grapefruit Moon has been a regular on my CD player and iPod for around 15 years; add to that its sense of barroom presence, plus it has a fucking drink ingredient in the name, and I needed no further rationale to justify grabbing that as a name, provided I could factor grapefruit into the combination somehow (and any bar that can put together a Salty Dog is gonna have a can of grapefruit juice around somewhere).
Interestingly (to me, at least), coming up with the final recipe was easier than I thought: bourbon and stout are natural friends, and grapefruit matches with bourbon in the Brown Derby (named after the former bar and restaurant in L.A., which also kind of makes sense for this whole Tom Waits theme, kind of). Sticking closely to the “ingredients you’d find in a basic bar” idea, I initially just dribbled in a little sugar to sweeten the mix; stepping away from that concept just a tiny bit, I found the drink works somewhat better if you use a barspoon or so of maple syrup — not a common ingredient, I grant you, but it gives the drink that Nighthawks at the Diner
Grapefruit Moon
- 1 1/2 ounces bourbon
- 1 1/2 ounces grapefruit juice
- 1 barspoon simple syrup or maple syrup (to taste, depending on the brand of stout you use)
- 2-3 ounces chilled stout
Mix bourbon, grapefruit and sweetener in a shaker. Shake well with ice and strain into a pilsner glass or tall beer glass filled with crushed ice. Top with chilled stout.
Surprisingly, this is a pretty damn good drink – I’ll even mix this after MxMo is over. Now head on over to Andrew’s site and see what other drinks and stories people came up with for this round of Mixology Monday.
Drinks aren’t something you should get too sentimental about. Tastes change, products come and go, and that bright-pink thing you couldn’t get enough of last summer is now considered a punch line in every bar in town. Change happens, and over the past century change has happened in the drinks world more rapidly than ever. But as our cocktail books and iPhone apps have grown bloated with thousands of recipes, patterns have emerged, families have been formed, and it’s become clear that on some level we’re still drinking the same things as before.
