Entries Tagged as 'Calvados'

Golden Dawn revisited

Okay. Maybe that whole idea of “Perfect Balance” had some element of wishful thinking about it. As I mentioned when I first approached the Golden Dawn, the idea of a cocktail composed of equal parts–five of them, at that–was compelling and, ultimately, irresistible.

But as a couple of folks noted in the comments, as intriguing as this recipe from Ted Haigh’s Vintage Spirits & Forgotten Cocktails may be, the result is still quite sweet. Too sweet, some would–and did–say, and after thinking about it further, I’ve grudgingly come to the same conclusion.

But all is not lost with the Golden Dawn; a quick survey of the bookshelf shows two similar cocktails of the same name, both of which are worth investigating*. Both recipes come from Ted Saucier’s Bottoms Up, an excellent (and risque) cocktail manual from 1951. Each drink was an award-winner in its day, and both eliminate Cointreau from the mix, which results in a much less sweet drink (though it does obliterate that five-part harmony that originally caught my attention).

Golden Dawn (version #2)
created at the Grosvenor House, Park Lane, London, and recipient of the top prize at the International Cocktail Competition in 1930

  • 1/4 gin
  • 1/4 Calvados / applejack
  • 1/4 orange juice
  • 1/4 apricot brandy

Shake with ice and strain into chilled cocktail glass; garnish with a cherry and drizzle a dash of grenadine into the bottom of the glass.

Golden Dawn (version #3)
created by Walter Madigan, beverage editor for the Hotel Gazette; runner-up, International Cocktail Contest, 1939

  • 2 parts gin
  • 1 part orange juice
  • 1 part apricot brandy
  • dash grenadine

Shake & strain into chilled cocktail glass

Removing the Cointreau really tones down the drink’s sweetness; personally, I prefer version #2, as the Calvados adds some extra complexity to the drink. Keep in mind, though, that orange juice really lacks the sharp tartness of lemon or lime, so even with the reduced liqueur, the Golden Dawn will always have an element of sweetness about it–it’s simply in the drink’s nature. (Your choice of orange and grenadine type will also affect the drink’s sweetness–even when using dashes, a homemade grenadine results in drinks remarkably less cloying than those made with a commercial brand like Rose’s.)

So if you’re still brushing your teeth from the first encounter with the Golden Dawn, one of these variations may suit your needs. If not, well…we gave it an honest try.

* Bottoms Up also lists a third Golden Dawn recipe, this one not even remotely like the others:

1/2 jigger lime juice
1 jigger orange juice
1/2 jigger Jamaica rum
1 jigger bourbon
1 teaspoon sugar
Ice

Place in electric mixer; strain into hollow-stemmed champagne glass which has teaspoon grenadine in bottom of stem.

Star Cocktail

A sample cocktail from George J. Kappeler’s Modern American Drinks. I don’t know if this is a Kappeler original, and I haven’t checked to see if it’s in other cocktail manuals, but this one caught my eye as something period-appropriate, with the added benefit that I happen to have the ingredients on hand.

Here’s Kappeler’s wording on the recipe, followed by my recipe (in my usual format):

Fill a mixing-glass half-full fine ice, add two dashes gum-syrup, three dashes Peyschaud [sic] or Angostura bitters, one-half jigger apple brandy, one-half jigger Italian vermouth. Mix, strain into cocktail-glass, twist small piece lemon-peel on top.

And my preparation:

Star Cocktail

  • 1 ounce apple brandy (I used Laird’s Applejack)
  • 1 ounce sweet vermouth
  • 3 dashes Peychaud’s or Angostura bitters (I used Peychaud’s)
  • 2 dashes gum syrup

Stir with ice and strain into chilled cocktail glass; garnish with lemon twist.

A couple of notes: first, at the beginning of the book’s recipe section, Kappeler defines a jigger as holding two ounces–this is different from the contemporary definition, in which a jigger contains one and one-half ounces–hence the measurements in my recipe.

Second, Kappeler calls for apple brandy–I assume that in 1895, the type of apple brandy he’d most readily have on hand would be domestic (ie, not Calvados), and quite possibly Laird’s (as they were certainly in production during that time). While Laird’s applejack is not currently a “pure” apple brandy, as it contains a substantial portion of neutral grain spirits, in 1895 it was still composed purely of apple distillate, and it’s the closest thing I have on hand to a domestic apple brandy. Should you have access to Laird’s bonded apple brandy, you should certainly use it in this drink (it’d probably be nice with a Calvados, too).

The Star is a very gentle cocktail, with the slight bitterness of the vermouth nicely touched by the fullness of the Peychaud’s. I think the applejack fades into the background a bit too much–all the more reason to break out the real apple brandy deal when giving this one a try.

Perfect Balance

So much of mixology is simple mathematics. Creating a drinkable cocktail is typically nothing more than reaching the right proportion of ingredients in the mixing glass (sure, the method of chilling, type and brand of spirit, and a number of other variables enter into the equation, but stay with me here).

Of course, this means you have to keep a lot of different formulae in your head if you want to have plenty of drinks in your repertoire. Fortunately, you happen across the occasional drink that achieves perfection through a perfect–and equal–balance of ingredients. The Corpse Reviver #2 is one such cocktail–equal parts gin, lemon juice, Lillet and Cointreau, with a drop or two of absinthe-type liqueur dribbled in–and the Golden Dawn is another.

This comes from Ted Haigh’s Vintage Spirits & Forgotten Cocktails, and is the first drink I made after I gave up on tracking down a bottle of the elusive Marie Brizard’s Apry, and bought a bottle of the second-rate Bols apricot brandy, just so I can expand my mixing options. But I digress.

Golden DawnThe Golden Dawn is the first cocktail I can recall that calls for equal parts of five different ingredients, two of them base spirits: Calvados, gin, orange juice, apricot brandy and Cointreau (as a spoiler, a little grenadine is trickled into the finished drink). Haigh credits the United Kingdom Bartenders Guild for coming up with this mix in the 1920s. Sweet but not cloying, and layered with flavor, the Golden Dawn is a delicious–and easy-to-remember–addition to the mixological playbook.

Golden Dawn

  • 3/4 ounce Calvados (or applejack)
  • 3/4 ounce gin
  • 3/4 ounce fresh orange juice
  • 3/4 ounce Cointreau
  • 3/4 ounce apricot brandy

Shake with ice and strain into a chilled cocktail glass. Garnish with a stemless cherry, and drizzle a little grenadine (don’t stir!) into the finished drink.

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Holiday Mixology

Just when I was wondering what kind of new, unheard-of concoction to mix up for guests on Christmas, Chuck Taggart posts a recipe for this intriguing new cocktail over at the Gumbo Pages.

Réveillon Cocktail

  • 2 ounces Laird’s Straight Apple Brandy (substitute Laird’s Applejack or your favorite Calvados).
  • 1/2 ounce pear brandy (make sure it’s a clear eau-de-vie, not a liqueur).
  • 1/2 ounce pimento dram.
  • 1/4 ounce top-shelf sweet vermouth (Carpano Antica Formula or Punt-E-Mes).
  • 1 dash aromatic cocktail bitters (Angostura is good, Fee Brothers’ Old Fashion Bitters are better, Abbott’s Bitters — if you can get any — are spectacular).

Combine ingredients with cracked ice in a cocktail shaker. Stir like hell for no less than 30 seconds, and strain into a cocktail glass. Garnish with a cinnamon stick.

Intrigued by the mix of flavors, I made one for myself tonight. Since I had no Laird’s bonded on hand, I used Chateau du Breuil Calvados, and mixed it with Clear Creek Distillery’s pear eau-de-vie, homemade pimento dram, Punt Y Mes and a dash of Fee’s Old-Fashioned Aromatic Bitters.

I was expecting a number of different flavors, all creating a layered profile, but with the first sip I was astounded at how well they all worked together. Each of the ingredients has a very assertive character, but in this combination, no one flavor dominates. The rich apple of the brandy and the ethereal presence of the pear eau-de-vie form a solid fruity presence in the glass, seasoned with allspice from the liqueur and the cinnamon from the Fee’s, with the Punt Y Mes undetectible, yet working behind the scenes, as it were, to temper the various flavors around it.

Apples, pears, allspice, cinnamon–the essence of the holiday in a cocktail glass. Chuck says he’s still tinkering with the cocktail, but from my brief encounter with it, I’d say no further work is needed. Maybe somewhere between the eggnog and the flaming Christmas punch (ever the traditionalist), I’ll pull this one out to liven up the afternoon.

* UPDATE: This drink was well-received by my guests on Christmas Day, and Chuck has not only decided to settle on this recipe, but Wes has come up with a fitting name: the Réveillon Cocktail, which, according to Chuck, “evokes Christmas, especially Christmas eve, but also the recent New Orleans spin on the old tradition that expands the feasting of la veille de Noël all season long …”

Well done–

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Widow’s Kiss

When I was about four years old, I fell madly in love with Jacqueline Kennedy. My older brother had a children’s book about JFK that was filled with photographs–Jack playing football; a gaggle of well-mannered, near-identical looking children clustered on some expansive Massachusetts lawn; PT-109. Our house was a house of books, and after I’d tired of Mammals do the Most Amazing Things! and Green Eggs and Ham, I’d find myself lying on the carpet, flipping through the photos of the Kennedys.

I had yet to start kindergarten, so it’s not surprising I found little of interest in most of the book. But on one of the first pages was a clear color spread: Black sedan convertible. Men in brightly colored shirts and Brylcreemed hair and women with scarves and cats-eye sunglasses, lining the street. Pearls and a pink pillbox hat. Dallas.

They were both smiling and waving.

She looked happy and beautiful in that photo, and to my four-year-old eyes, the color of her hair and the shape of her face made her look more than a little like my mother. I coveted that photo. In hindsight, it must have been jarring to my parents–Texans, both, and lifelong Democrats–to have seen their child staring in bliss at an image from that November day. But I had no idea of the weight that photo carried. I just loved the sweep of hair across her forehead as she squinted into the sun, one gloved hand raised in a wave to the adoring crowds.

The Widow’s Kiss

  • 1 1/2 ounces calvados
  • 3/4 ounce yellow Chartreuse (green works, too, but it’s a little more intense)
  • 3/4 ounce Benedictine
  • 2 dashes Angostura bitters

Stir with ice and strain into a chilled cocktail glass. Garnish with a cherry.

The Widow’s Kiss predates Camelot by a good 65 years. In Vintage Spirits & Forgotten Cocktails, Ted Haigh credits George Kappeler’s Modern American Drinks, from 1895, with first publishing a recipe for this drink. Harry Craddock, Patrick Gavin Duffy and “Cocktail” Bill Boothby all list the same recipe in their early 20th-century bar guides (though in Old Waldorf Bar Days, Albert Stevens Crockett lists a recipe calling for equal parts Parfait d’Amour, yellow Chartreuse and Benedictine, with the beaten white of an egg positioned on top and adorned with a slice of strawberry).

Built upon the heady foundation of calvados, and with the complex aromatic firepower of not one, but two venerable herbal liqueurs, the Widow’s Kiss is a drink to nestle into. In his book, Haigh calls the Widow’s Kiss the most evocative drink ever, a cocktail suited for late fall edging toward winter. On a chilly November evening, post-Dallas, post-Watergate, post-Florida, post-9/11, and not-yet-post-Iraq, there’s no small amount of satisfaction to be found in a drink that calls up a honeyed past, and provides a moment’s distraction from the bitter present.

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