Monthly Archives: July 2007

Love the Drink. The Name, Not So Much.

Let me start this off by saying I mean absolutely no disrespect to Simon Difford. After all, he came up with this drink, which as you can see from the header, I think is pretty damn tasty. Plus, there’s all that assorted other work he does — researching and compiling lists of recipes, developing guides to watering holes around the globe, consulting on pretty much anything related to alcohol — which improves the lives of drink geeks like me to no end. No, my only quibble with Simon — a minor one, I’m sure you’ll agree — is with the name of this drink.

Plymouth, Noilly Prat, Rothman & Winter, St. GermainBefore we get to that, though, let’s take a look at the cocktail. The recipe was conceived, I assume, during a burst of creativity inspired by the launch of St. Germain, the elderflower liqueur that seems destined to remain a staple of every quality bar for decades to come (see my writeup about St. Germain over at Serious Eats). This cocktail starts with the basic 4:1 Plymouth martini — a good first step in anyone’s book — then slides in the St. Germain to give the drink a fruity floral wallop. Then, turning to another ingredient that’s manna to vintage spirits freaks, Difford tips in a little creme de violette, which ups the floral aspect and really pushes the drink onto another plane. Zap it with some orange zest, and you’re set.

Of course, you could also look at this as a slight variation on the Attention (aka the Atty, aka the Arsenic and Old Lace), the gin-vermouth-violette-pastis-sometimes orange bitters combo that’s cropped up in a number of places lately, including on Simon’s site (as the Atty) and in the pages of the current issue of Imbibe (as the Attention). Swap the St. Germain for the pastis, use orange zest instead of bitters, tweak the proportions accordingly, and you’re there.

Every component of this cocktail has a floral aspect — from the botanicals in the gin and vermouth to the two liqueurs flavored and colored with flower petals, this drink comes straight from the garden. This is all to say that I understand how the name presented itself, and god knows it’s better than most anything I’d be likely to come up with … but still, I just can’t deal with the name.

Seeing as how so many bars are discovering St. Germain, and how many should be beating down their distributor’s doors to get a bottle of the Rothman & Winter Creme de Violette (currently available in New York, and very soon in California), I may actually have the opportunity to order one of these in a public establishment. Should that be the case, I may need to just have the recipe printed up on cards I can hand to the bartender. “What’s the name?” they’ll ask. “Ummm….” I’ll respond.

The Please-Don’t-Make-Me-Call-It the “Flower Power Martini” (a spectacular drink created by Simon Difford. Snarky comments about the name courtesy the obnoxious host of this establishment)

  • 2 ounces Plymouth gin
  • 1/2 ounce dry vermouth
  • 1/2 ounce St. Germain
  • 1/4 ounce creme de violette

Stir well with ice, strain into chilled cocktail glass. Garnish with strip of orange zest.

Just when you thought it was time to dry out

Following the Bacchanalian madness that was Tales of the Cocktail 2007, you’d think we’d all have had it for a while with organized cocktail events. But that old steam train known as Mixology Monday keeps chuggin’ along, and we have FIVE — count ’em, FIVE — hosts lined up to participate. Old participant or newbie,… Continue Reading

TOC Sunday, 7/22/07: Sunday already?

Of course, after an evening of absinthe, there’s no better way to get the day started than a late breakfast of absinthe. So enthusiastic were the reviews of last year’s absinthe session with Ted Breaux that the organizers asked him back this year for a repeat performance. Since I covered that session the first time… Continue Reading

TOC Saturday, 7/21/07: The Big Event

While I would have made it to Tales no matter what, Saturday morning was the main reason I attended: the “Cocktails and the Blogosphere” session, moderated by me. I felt that my “Lost Ingredients” presentation didn’t go so well, mainly because my lost samples meant I was flustered and had to improvise as I went,… Continue Reading