Entries Tagged as 'Vermouth'

El Presidente Revisited

It’s been a good week for cocktails in the media.

Today I received by e-mail an invitation to visit a website I’ve never seen before. Nothing unusual there–beyond the typical enticements to check out the online poker, the performance enhancers and “Me and mY reD-Hott grrrlfrindxxx,” there’s the occasional note, typically worded in a quick form-letter fashion, that reads, “love your site. link to my blog,” or “i like bars check out my bar stool site.” I’m sure nobody’s surprised by this.

Lost MagazineBut today, I received an e-mail from Lost Magazine, an online journal launched a mere six months ago, with an invitation to check out a new article on a “lost cocktail,” the El Presidente, by Wayne Curtis. As astute, longtime readers of this site (or chronically bored mouse-clicking addicts–you pick which category you fit into) may recall, El Presidente was one of the first cocktails I blogged about, way back in the dark ages of May 2005, and it remains in my list of top ten–check that, top five–personal favorite cocktails of all time. Furthermore, in my opinion, it ranks alongside the Police Gazette Cocktail as one of the most tragically forgotten, ignored and what-the-hell-is-wrong-with-you-people-that-you-haven’t-recognized-the-brilliance-of-this-yet drinks in the world of mixology.

I was intrigued.

Prepared to be disappointed–the internet is a bitter, bitter place–I followed the link, and found myself reading one of the best meditations on cocktails and the gradual slide of the art of bartending that I’ve read in recent memory.

Here’s the lede:

In the savage ecosystem of the cocktail lounge, newly invented mixed drinks generally appear from nowhere, compete fiercely for a time, and then disappear. Some fine concoctions claw their way to the top and remain there exceedingly pleased with themselves, like lions on the savannah. The whiskey old-fashioned, the Manhattan, and the mint-julep — all of which have been around for more than a century — are among the best examples of this. Meanwhile, many execrable drinks are chased into the swamps, where they die a slow and lingering death. This is as it should be. The world is not a lesser place because nobody remembers how to make a Harvey Wallbanger.

(Play along at home: read it here.)

Curtis goes on to chronicle the sad exceptions–the Jack Rose, the Bronx, the Ward Eight (which he calls the “Eighth Ward,” a new one on me)–fine drinks that have mostly succumbed to the metaphorical sands of time. The El Presidente is in this tragic fraternity, and Curtis travels to the drink’s birthplace, the time-warp city of Havana–where, in 1928, the drink was described as “the aristocrat of cocktails and is one preferred by the better class of Cuban”–to sample the drink as it should be made.

I’m with Curtis throughout this piece–how bartending changed from an art form focused on the creation of individual drinks, into a mass-production factory job–and how this change in the profession led to the sloppy manufacture, and eventual demise, of cocktails such as the El Presidente. Curtis also recommends trying one at home, and makes a point of advising against using Bacardi white rum–the original rum in the cocktail, sure, but a pale imitation of its former self–when mixing the drink.

A quibble, though: Curtis recommends Prichard’s rum, which I’ve never tried so I can’t judge; failing that he suggests an aged rum, even if it’s dark. In my experience–and believe me, I have some experience playing with these–darker rums make a flavorful El Presidente, but a good-quality white rum provides a better balance. Metusalem Platino works well, as does Flor de Cana white–though, to his credit, it’s an aged white rum. I’d also sidestep Curtis’ suggestion to use pomegranate molasses instead of mass-produced grenadine, and instead take the five minutes to mix a batch of homemade–I keep meaning to post a recipe, but if you go back to my original El Presidente post, I think I list it briefly in the comments section. Finally, his recipe calls for the ingredients to be stirred with ice for three or four minutes; really, unless you like your cocktail to be 3/4 water, 30 or 40 seconds should do the trick.

In the bio line it’s mentioned that Curtis has a book coming out in July, called And a Bottle of Rum: The History of the New World in 10 Cocktails. If the book is anything like this essay, I know what my summer reading list is starting to look like.

El Presidente

  • 1 1/2 ounces decent white rum
  • 3/4 ounce dry vermouth
  • 3/4 ounce curacao
  • dash grenadine

Stir with ice for 30-40 seconds; strain into chilled cocktail glass. Garnish with an orange twist.

One More Drink with Pastis and Then I’ll Shut Up

Before I settled on the Asylum for my Mixology Monday drink, I was batting around the idea of posting this one. It’s actually a much tastier drink, and after I became enamored of the whole Seabrook story, I resolved I’d come back around to this one, just so I could post a really engaging pastis cocktail. So, before I completely forget about it, here’s a pastis-containing drink that’s worth trying at least once.

I’d just shout out the name, but the problem is, the drink has two of them. But given the names and all they imply, I’d estimate the drink to be a product of the turn of the last century. I first came across it in Charles H. Baker, Jr.’s The Gentleman’s Companion, where he refers to it as

REMEMBER the MAINE, a Hazy Memory of a Night in Havana during the Unpleasantnesses of 1933, when Each Swallow Was Punctuated with Bombs Going off on the Prado, or the Sound of 3″ Shells Being Fired at the Hotel NACIONAL, then Haven for Certain Anti-Revolutionary Officers

[”Remember the Maine,” of course, was the jingoistic rallying call to arms in 1898, following an explosion aboard the USS Maine which was blamed (using dubious evidence) on Spain, and led to the Spanish-American War–kind of like the WMD situation of its day. In cocktail circles, the war also led us to the Daiquiri and the Cuba Libre–and, arguably, the whole panoply of pre-Castro Cuban drinks–but those are for other posts.]

The other source for this drink is Albert Stevens Crockett’s Old Waldorf Bar Days, which refers to it as “McKinley’s Delight.” Crockett wrote,

Just why it was McKinley’s delight, I am unable to ascertain. The chances are that President McKinley never found out whether it was or not. In its favor, I may mention that the Bar was a great hangout for the G.O.P.’s of yesteryear, who may have passed their emotion for their candidates across the counter for the barkeep to translate into terms of liquid intensity.

Partisan political issues aside, the drink certainly stands its claim to liquid intensity. Basically a rye Manhattan, seasoned with a little cherry brandy (the sweet stuff, like Cherry Heering, not the dry kirschwasser) and a little absinthe (or the like), this cocktail has a flavor in which neither the brandy’s fruitiness or the pastis’ elegant funk take over. Pastis, put in its place.

Remember the Maine, or McKinley’s Delight

  • 2 ounces rye whiskey
  • 3/4 ounce sweet vermouth
  • 1 to 2 teaspoons Cherry Heering
  • 1/2 teaspoon absinthe or legal substitute

Stir with ice–”briskly in clock-wise fashion–this makes it sea-going, presumably!” writes Baker–then strain into chilled cocktail glass or saucer champagne glass. Twist a curl of lemon peel over the drink.

St. Moritz

The Manhattan’s less-interesting cousin. I came across this drink while flipping through David Embury’s The Fine Art of Mixing Drinks. Embury calls for a standard dry Manhattan with orange bitters and 2-3 dashes of Chartreuse, and explained that some recipes call for equal parts vermouth and Chartreuse. I split the difference, with not unpleasant results. Dry, subdued, a little spicy–a very well-mannered cocktail, with just a hint of excitement around the edges.

St. Moritz

  • 2 ounces rye
  • 1/2 ounce dry vermouth
  • 1/4 ounce Chartreuse
  • 1 dash orange bitters

Stir with ice and strain into chilled cocktail glass.

Bronx Terrace

I enjoyed a brief infatuation with this drink when I first became interested in the whole cocktail thing. Trying one now, I kind of remember why–it’s not a terribly complicated drink, flavorwise, but it’s not flat-out simple, either. Rather than using a sweetener to smooth out the tanginess of the lime, the Bronx Terrace uses dry vermouth, a flattening modifier that lends just enough complexity to keep the cocktail from being boring.

Bronx TerraceI know little about the Bronx Terrace, other than it’s old–it appears in Patrick Gavin Duffy’s Standard Bartender’s Guide and in Harry Craddock’s Savoy Cocktail Book, both of which were first published in the early 1930s. It’s also a good drink for those times when you just need something different.

Bronx Terrace

  • 2 ounces gin
  • 1 ounce dry vermouth
  • 1 ounce fresh lime juice

Shake with ice and strain into chilled cocktail glass; garnish with a cherry.

Ixnay on the Een-gray Inks-dray

Every March, around the middle of the month, I feel the need to apologize to Ireland. On the day reserved for honoring the land’s patron saint, it’s become an American tradition to pay an outlandish cover charge to stand in an overcrowded bar, holding plastic cups of green-tinted lager and being jostled all night until a Miller Lite-swilling fratboy vomits on your shoes.

Even drinkers who celebrate in more upscale bars sully the holiday with bad, bad drinks. For proof, look no further than the drinks in this week’s Seattle Times “Cocktailing” section: the “Irish for the Day” (vodka & green creme de menthe, with a clover carved out of lime peel as garnish), and the “Leprechaun Mor-jito,” again with the dreaded green liqueur (”We serve it straight up with green crème de menthe, and for a garnish it’s got a mint leaf. It’s kind of like a martini/mojito/leprechaun,” says the bar manager).

I’m sorry, sons of Erin–it never should have come to this.

Fortunately, though, there are options for holiday-appropriate cocktails that don’t require stooping to the mixologically morbid. All of these examples employ Irish whiskey; two are simple variations on an Irish Manhattan, and one is a newer entity which is worth getting to know.

Emerald

2 ounces Irish whiskey
1 ounce sweet vermouth (or less, to taste)
2 dashes orange bitters

Stir with ice & strain into chilled cocktail glass.

There are plenty of drinks called the Emerald, but this one is the most agreeable. From the recipe, it may sound simple and unexceptional, but don’t just write this one off– the orange bitters join in an unusually simpatico relationship with the Irish whiskey, making the Emerald much more than just an alternate Manhattan.

A similar drink, with a much different flavor, is the Tipperary (Gary Regan’s thorough write-up of this drink appears in today’s “Cocktailian” column in the San Francisco Chronicle). Dating back nearly a century, the Tipperary is also related to the Manhattan, but uses green Chartreuse instead of bitters to throw the taste in a more brooding, complex direction. The original recipe used equal parts Irish whiskey, sweet vermouth and Chartreuse; Gary dries it out a bit with this recipe. (And if you feel like you just have to drink something green because it’s St. Patrick’s Day, the touch of Chartreuse adds an emerald sheen to the glass, without making it appear as though you’re imbibing a glassful of Scope.)

Tipperary

2 ounces Irish whiskey
1 ounce sweet vermouth

rinse chilled cocktail glass with green Chartreuse and discard excess; stir whiskey & vermouth with ice and strain into Chartreuse-coated glass.

A final Irish whiskey cocktail worth discovering is of a more recent vintage: the Weeski, an original drink from David Wondrich’s Killer Cocktails. Wondrich matches the tempermental flavor of Irish whiskey with the equally difficult-to-mix-with blonde Lillet. Using a bit of Cointreau to bind the flavors together, and a little orange bitters to give it greater depth, Wondrich has created a cocktail that’s worth the price of the book.

Weeski

2 ounces Irish whiskey
1 ounce blonde Lillet
1 teaspoon Cointreau
2 dashes orange bitters

Stir with ice; strain into chilled cocktail glass. Garnish with a lemon twist.

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