60/30, #19-20: breaking out the Batavia arrack
If there was a predominant recurring theme in this blog, and in my drinking life, back when it first started in 2005, it was the search for, or re-creation of, vintage cocktail ingredients that were no longer obtainable.
I don’t do that much anymore, for good reason: primarily because, thanks to folks like Eric Seed but also due to a groundswell of interest in these products, I don’t have to. No longer am I pestering friends and colleagues to mule back a bottle of crème de violette from Japan or ordering from shady-looking websites so I can lay in some pimento dram from Jamaica, and the longing to taste a Sazerac made with true-blue absinthe has long since been sated. True, there’s still no Amer Picon on the shelf of my local liquor store, but easy work-arounds exist, so it’s been quite a while since I’ve found myself really stymied by a cocktail recipe that calls for something I can’t lay my hands on. (That said, crème de noyeaux seems like a pain to make and every version I’ve tried in the U.S. seems kinda crappy, so if anyone has a line on a supply of good noyeaux from France, please let me know.)
Arrack Punch, or Swedish Punsch, is still in the work-around category for now, but since it’s traditionally a homemade concoction, you don’t have to worry about authenticity of flavor. For the past couple of years, ever since Erik Ellestad passed along his recipe for our “Make Your Own Ingredients” session at Tales of the Cocktail, I’ve been working off batches of his early version of Underhill Punsch, made with a base of rum (usually Jamaican, though Demerara can be an interesting detour) pumped up with Batavia arrack, the booze briefly infused with sliced lemons and sweetened with a syrup made with sugar and tea spiked with cardamom. Easy, easy.
But my bottle of homemade Swedish punsch recently ran low, right about the time that David Wondrich’s new book, Punch: The Delights (and Dangers) of the Flowing Bowl arrived in the mail. I’ve got a longer write-up of Dave’s book planned, complete with recipes for the punches I drank too much of at his Seattle book party on Tuesday night. But one of the recipes that caught my attention while reading the book was one of the simplest and most familiar, in a way: that for Cozzen’s Arrack Punch.
The mixture is simply a version of Swedish Punsch, made much in the same way that Erik does but with a couple of minor tweaks. First off, the flavor flourishes are eliminated — no tea appears in the syrup recipe, nor is cardamom or any other spice part of the equation. But, before you start thinking this version is going to be too boring, take a look at the liquor: there’s no rum to soften the edginess of arrack, so the primary flavor that’s coming out of this punch is that of unedited arrack. The recipe Wondrich cites is from F.S. Cozzens, and it appeared in Wine Press in June, 1854. The version he lists makes 8 cups of punch; I cut the recipe in half, since I don’t go through it all that fast (plus, I used up all the Batavia arrack in the house); here’s the smaller version:
Cozzen’s Arrack Punch
adapted from Punch, by David Wondrich
- 16 ounces Batavia arrack
- 3 medium lemons (go organic – they’re less likely to be coated in wax, and you’re using them peel and all)
- 16 ounces water
- 1/2 pound sugar, preferably something coarse like demerara
Thinly slice the lemons and let them soak in the arrack for 6 hours. While you wait, make a syrup by combining the sugar and water over medium heat, whisking until the sugar is completely dissolved; let the syrup cool before using. At the end of the soak time, gently strain the fruit from the liquid, taking care not to press or crush the fruit or do any of the other things you’re accustomed to doing when removing fruit from an infusion. Combine the syrup with the infused arrack and store in a jar. After a few days have passed, filter the punch for particles and sediment, then bottle and store.
Yes, it’s sweet, but that’s the point — you’re basically using this as a liqueur (or, if serving it on its own, you’re diluting it down so the sweetness is more manageable).
Anyway, now that you’ve got this stuff lying around, here’s a fine drink in which to use it: the Diki Diki.
This drink first popped up in Robert Vermiere’s Cocktails: How to Mix Them, which was first published in 1922 (I wrote an introduction for the reprint version of this from Mud Puddle Books, which came out in 2009). As Vermiere explains,
Diki-Diki is the chief monarch of the Island Ubian (Southern Philippines), who is now 37 years old, weighs 23 lb., and his height is 32 in. The author introduced this cocktail at the Embassy Club in London, February, 1922.
Vermiere’s recipe for the Diki Diki follows the classic 2:1:1 ratio of spirit:citrus:modifier. This version is bumped back a little bit in the Savoy Cocktail Book, where it appears as a 4:1:1 ratio. These are both pretty tasty ways to go, though I think I prefer the Savoy’s version, which lets the Calvados remain at center stage. But my favorite version of the Diki Diki is from the 2009 revised edition of Vintage Spirits and Forgotten Cocktails by Ted Haigh, the original edition of which I’ve raided many, many times for this blog over the years. Here’s Doc’s version:
Diki Diki
From Vintage Spirits and Forgotten Cocktails, Deluxe Edition
- 1 1/2 ounces Calvados
- 3/4 ounce grapefruit juice
- 1/2 ounce Swedish punsch
Shake well with ice and strain into chilled cocktail glass. Done.
I really, really enjoy this drink. First, Calvados has a robust quality that carries over well even with sours; it gives the drink some gravitas, without being overwhelming or uncomfortable in the role as big-character whiskies can sometimes be. Between the grapefruit and the punch, there’s a complex ranginess in the drink, with the raw, gamy quality of arrack just barely held in check, where it can throw little barbs of funk into the drink without being offputting. As Josey Packard said when Erik mixed one of these with her, the Diki Diki is a very grown-up drink — this isn’t really for a novice, but at the same time it’s not quite as out there as some of the drinks making the rounds nowadays.
Here’s a cocktail that blew my mind the first time I tried it: the Pago Pago Cocktail. I first came across this on the Tiki+ iPhone app, developed in conjunction with
Pago Pago Cocktail
A couple of years ago, this is the question Jamie Boudreau tackled, and the result was this: the
But while they look so similar on paper, the drinks are sufficiently different in flavor to merit giving each a try. Where the Green Glacier is rich, heavy and powerful, the Prospector is a bit more relaxed; the Cointreau, even though it’s a liqueur, applies a subtle drying action to the drink, keeping the flavor from sagging, and Cointreau’s resonant orange note also lightens the impact of the Chartreuse, letting it still take center stage at first sip but giving the cacao an opportunity to round out on the finish.
Obviously, this is an agricole twist on the Cuban classic
In case you’re new to this blog, I’m a longtime fan of
I’m imagining that the 3/4 ounce of crème de banana that the recipe calls for would give the drink an identity that rests squarely on BANANA (flavored), but the Giffard banana liqueur is a much more nuanced thing. Tasting very much like fresh (or, more accurately, cooked) bananas with a little vanilla and ginger in the mix, the liqueur is lovely on its own, but when mixed with other ingredients its flavor is somewhat subdued; fortunately the liqueur is also not oppressively sugary, so it’s easy enough to remedy the issue by simply increasing the size of the pour to a full ounce.
A couple of points on preparation: Wondrich notes that shaking the drink (with the bits of orange and pineapple involved) can result in a mushy mess. Agreed – I followed his suggestion of preparing the drink with crushed ice and then rolling the mix between the halves of a shaker, which keeps the fruit more-or-less intact. Also, for a good delivery of pineapple-ey goodness, I’ve substituted pineapple gomme for the simple syrup when the mood has hit. And since preserved ginger doesn’t have quite the intensity of bite I’d like, I’ve taken to supplementing it with a few slices of fresh ginger, just tossed into the mix (and why do I continue to use the preserved ginger, then, if I find it lacking? Because I bought the whole damn jar and I’ve got to use it somehow). Finally, Thomas calls for two ounces of water in the mix, to soften the drink from sour to punch territory; I add this at the end, in the form of chilled club soda, just because I like bubbles.



